Soul Music

The Stabat Mater's imagines the sufferings of the Virgin Mary at the foot of the cross, and Pergolesi's 18th-century setting remains a choral favourite.Pam Self tells the moving story of how this piece unites her and her friend Helen Vaughan, both during life and after.Soprano Catherine Bott reflects on the piece's themes.The Stabat Mater has been reinterpreted many times over the years: Sasha Lazard recalls singing it in the school choir, before later taking the melody and transforming it into a dance version for her album 'The Myth of Red' rechristening it 'Stabat Mater IXXI' in the wake of the September 11th attacks.Victor Alcantara also sang it as a boy, before returning to the piece as an adult and transforming it into a jazz opus.Composer and Conductor Paul Spicer examines the musical tensions in the piece, likening its opening to "a heartbeat."Professor Anthony DelDonna recalls a performance of the Stabat Mater in his hometown of Naples, and reflects on the moment which reaffirmed his his faith.Produce

The Irish traditional song She Moved Through The Fair is well loved and well recorded by many. To some it is a ghost story that tells of unfulfilled longings and of hopes and aspirations cut short. Sinead O' Connor and other fans talk about the haunting beauty of this ancient song and of why its imagery is carved into their souls.Featuring: Sinead O'Connor Catriona Crowe Bernie Warren David Johnston.Producer: Maggie AyreFirst broadcast on BBC Radio 4 in February 2013.

More than just 'da da da dum': Beethoven's 5th Symphony is this week's Soul Music.It accompanied Sir Robin Knox-Johnston on the regular Bombay to Basra route he sailed during his early days in the Merchant Navy. Archaeologist and crime novelist, Dana Cameron, spent many a long day in a dark, lonely basement analysing artefacts from a merchant's house in Salem, Massachusetts. A CD player was often her only companion and Beethoven's 5th buoyed her through these arduous days working towards her PhDAnd for conductor, Christopher Gayford, it was the piece which provided a breakthrough in his musical life. Recalling the time he spent rehearsing it with the Sheffield Youth Orchestra - for a tour in East Germany - he describes the build up to one of the most memorable performances of his career.Producer: Karen GregorFirst broadcast on BBC Radio 4 in February 2013.

‘Is That All There Is?’, a Leiber & Stoller song made famous by Peggy Lee, is based upon a short story by Thomas Mann called 'Disillusionment'. But those who know and love it feel it's inspirational rather than a cynical, world weary musical take on existentialism and the futility of life.‘Soul Music’ uncovers the compelling individual stories behind our collective love of music.Producer: Maggie AyreFirst broadcast on BBC Radio 4 in February 2013.

Bach's St Matthew Passion was written in 1727 and was probably first performed as part of the Good Friday Service at Thomaskirche in Leipzig. This programme explores ways in which Bach's St Mattew Passion touches and changes people's lives. Guitarist Andrew Schulman describes what happened when he was played this music whilst he was in a coma. James Jacobs talks about the St Matthew Passion providing solace in difficult times during childhood. And singer Emma Kirkby, conductor Paul Spicer and musical historian Simon Heighes explore how the music works and what it's like to perform.Producer: Rosie Boulton.First broadcast on BBC Radio 4 in 2012.

An exploration into the enduring appeal of the Dire Straits classic, Brothers in Arms.Although thought to have been written by Mark Knopfler in response to the Falklands war in the mid 1980's, it's a piece that people now associate with many other conflicts; military, personal and social.Bass player, John Illsley explains why it remains such a special piece for Dire Straits, while Marines chaplain, Nigel Beardsley, recalls the important part it's played in the lives of so many soldiers in Iran and Afghanistan and why it's now often heard at military funerals.Irish playwright, Sam Millar describes why he based a very personal play around the song and Snuffy Walden, music director of the hit American TV show, The West Wing, talks about how the series writer, Aaron Sorkin insisted on it being used in its entirety during a crucial episode.Professor Alan Moore of Surrey University explains how it's Knopfler's brilliant use of harmony that gives the song the sense of yearning that has made it into one of the most e

The Skye Boat Song brings back a wealth of childhood memories for many.The words "Speed Bonnie Boat Like a Bird on the Wing" tell the story of Bonnie Prince Charlie’s escape to the Isle of Skye - dressed as a maid - after defeat at the battle of Culloden.Originally written by Sir Harold Boulton and Anne MacLeod back in the 1870's, we explore the song’s beauty and how it continues to touch people's lives across the world in very different ways.The Queen's Piper, who has played it in happy and sad times, recalls his rendition outside the Queen's window and leading Princess Margaret's cortege. A New Zealand artist shares his memories of time spent with his father, and the sound of him whistling the song on their way home as dusk fell. A sailor from the Isle of Skye, describes his connection with the spirituality of piece and the Loch on which he sails.Acclaimed violinist Tasmin Little shares her own arrangement of the piece and explains why it works so well musically. An Australian mum, tells how important this

Beethoven's Violin Concerto in D major Opus 61 was written in 1806, but was not a success at its premiere. 200 years on and this Concerto is regarded as one of the greatest pieces ever written for the violin. Beethoven Violin Concerto has touched and shaped people's lives in many ways. Writer Kelly Cherry describes her father loving this piece and still remembering it even when he had Alzheimers. Violinist Robert Gupta talks about this piece being the music which cemented his friendship with Nathaniel Ayers - a moment which changed Robert's life. Joe Quigley remembers hearing the Concerto at a crucial point in his life whilst living in a monastery. Devorina Gamalova recalls being entranced by this music as a child. And violinist Christian Tetzlaff talks about what it's like to play the Beethoven Violin Concerto. Series exploring famous pieces of music and their emotional appeal.Producer: Rosie Boulton.First broadcast on BBC Radio 4 in September 2012.

While for many, it will be always associated with brown bread, the Largo from Dvorak's New World Symphony is an enduring a piece that never fails to move and inspire. Anti- apartheid campaigner Albie Sachs explains that through whistling the theme while in solitary confinement, he was able to make contact with the wider world and kept his spirit and hope alive.Margaret Caldicott recalls the important role the piece played in her mother's life while in a Japanese prisoner of war camp.Series exploring famous pieces of music and their emotional appeal.Producer Lucy LuntFirst broadcast on BBC Radio 4 in June 2012.

The Hallelujah chorus from Handel's Messiah is stirring, emotional and unmistakable.The Alzheimer's Society runs a group called 'Singing for the Brain'. It's for people with dementia or Alzheimer’s and their carers who come together to sing in a group. As music is tied so closely to emotional memories, often lyrics and music remain firmly fixed in the brain, while other memories have died away.Julia Burton recalls the power of the Hallelujah Chorus, as performed at a special event by Singing for the Brain groups in Wiltshire and Dorset.Mrs Vera Fiton, whose late husband - Ted - had dementia talks about how important the weekly singing group was for both of them. Carol Pemberton, of the Birmingham-based a capella quintet 'Black Voices', took part in the reopening concert of Birmingham Town Hall in 2007. The programme director suggested they sing The Messiah, but not as Handel intended, rather a daring interpretation arranged by Quincy Jones, called the 'Soulful Messiah'. It's a soul/gospel version which has to

The powerful song, Non, je ne regrette rien was made famous by Edith Piaf.Written in 1960 by Charles Dumont, in a fit of despair, he gave the music to lyricist Michel Vaucaire, but was surprised by the words he wrote. Dumont thought the song should be about war or revolution. Vaucaire explained he wanted to give the song to Edith Piaf. She was living in Paris at the time, having recently finished her 'suicide tour' during which she had collapsed. At that time, Piaf didn't think much of Charles Dumont and tried to cancel their appointment. But on hearing the song, Piaf told Dumont that with this song, she would sing again.Contributors include: * Charles Dumont who lives in Paris at the same apartment, with the same piano on which he wrote the song in 1960. He plays the song on the very same piano.* Lord Lamont, who became associated with the song when asked by a reporter which he regretted most - talking about the 'green shoots of recovery' or allegedly singing in the bath after the withdrawal of Britain from

Rachmaninov's 2nd Piano Concerto - famously featured in David Lean's film "Brief Encounter" - is one of the world's most popular pieces of classical music. Some of its fans describe the way in which it has touched and shaped their lives. Featuring a pianist from Taiwan whose memories of a repressive childhood were dispelled by the emotions contained within this music. Plus a story from an acclaimed pianist from Argentina who was told she would never play the piano again after a serious car accident, but who has recently performed this piece in New York. And finally an account of the place that this piece of passionate and heartfelt music played in the life of John Peel and his family, told by his wife Sheila Ravenscroft. The concerto is also given historical and musical context by pianists Peter Donohoe and Howard Shelley.Series exploring famous pieces of music and their emotional appeal.Producer: Rosie Boulton.First broadcast on BBC Radio 4 in February 2012.

An exploration of the haunting melancholy of Gresford, the Miners' Hymn. Written by a former miner, Robert Saint, to commemorate the Gresford pit disaster in 1934, it has been played at mining events ever since. George Leslie Lister wrote the words in 1970.With the thoughts of Albert Rowlands who was working in the lamp-room of Gresford colliery when there was a devastating underground explosion. His father was among the men lost.Plus the composer's grandson, David Saint, organist at St. Chad's Cathedral in Birmingham. And Cecil Peacock, a former miner who recalls playing Gresford at the funerals of 83 miners who died following the Easington Colliery disaster in 1951. With thanks to Trevor Sutherland and the Llay Welfare band.Series exploring famous pieces of music and their emotional appealProducer: Karen GregorFirst broadcast on Radio 4 in February 2012.

Baker Street is Gerry Rafferty's glorious and instantly recognisable hit. It’s arguably the most popular track from his widely respected musical legacy. (Gerry sadly died aged just 63 in 2011) His daughter Martha Rafferty recalls hearing him develop the melody in the attic of their Glasgow home. His inspiration for the lyrics came from a book by Colin Wilson about the sense of disconnection from the world that artists often feel. Featuring: * Musician and founder member of Stealer's Wheel, Rab Noakes. * Singer-songwriter, Betsy Cook * Poet, Ian McMillan * Busker, Gavin Randle * Guitarist, Hugh BurnsMusic featured: An acoustic version of Baker Street is played especially for Soul Music by the Hugh Burns.The original demo of Baker Street, on which Gerry Rafferty plays the famous sax solo on guitar. Series exploring famous pieces of music and their emotional appeal.Producer: Karen Gregor (whose first decision when starting work on this programme was to NOT mention the urban myth about Bob Holness and

Irving Berlin’s enduring classic, Let's Face the Music and Dance is celebrated by those for whom it has a special significance. It was written in 1932 as a dance number for the film ‘Follow the Fleet’ starring Fred Astaire and Ginger Rogers.Since then it has taken on a life of its own, being recorded by hundreds of artists including Diane Krall, Shirley Bassey, Frank Sinatra, Vera Lynn, Ella Fitzgerald and Matt Munroe.For Sir John Mortimer's widow, Penny, it conjures up the very essence of her husband, who loved life, romance and dancing - even though he was no Fred Astaire, a fact he always deeply regretted.Lawrence Bergreen, Berlin's biographer and academic Morris Dickstein explain why this song has such a unique place in popular culture. Cabaret singer and composer, Kit Hesketh Harvey explains why the melody continues to haunt us.We hear from the bride and groom who decided to dance down the aisle to it after their wedding and the redundant welder for whom the song will be forever associated with the demi

The words of one of our most loved hymns, Dear Lord and Father of Mankind, were taken from the last six verses of John Greenleaf Whittier's poem, The Brewing of Soma, an attack on ostentatious and overt religious practise. But it wasn't until over 50 years later, that a school teacher at Repton in Derbyshire had the inspiration to pair it with a tune by Sir Hubert Parry, thus confirming it as a favourite for assemblies, funerals and weddings. Repton’s former music director, John Bowley, explains how this happened, while composer and conductor Bob Chilcott explains why this was a musical marriage made in heaven.We hear from those for whom the hymn has special significance, including Gloucester MP, Richard Graham; when briefly imprisoned in a Libyan gaol in 1978 he found enormous comfort in the words and tune. Pipe Major Ross Munro remembers recording the piece in the sweltering heat of Basra with members of the Royal Scots Dragoon Guards and film director Joe Wright recalls how the inclusion of this hymn was c

Exploring the impact that Estonian composer Arvo Pärt's Spiegel im Spiegel has had on people's lives.Written in 1978, just prior to his departure from Estonia, Arvo’s piece for piano and violin is musically minimal, yet produces a serene tranquillity.It's in F major in 6/4 time, with the piano playing rising crotchet triads and the violin playing slow scales, alternately rising and falling, of increasing length, which all end on the note A. The score of the piece looks deceptively simple, but as violinist, Tasmin Little explains, it's one of the most difficult pieces to perform because the playing has to simply be perfect, or the mood is lost."Spiegel im Spiegel" in German literally can mean both "mirror in the mirror" as well as "mirrors in the mirror", referring to the infinity of images produced by parallel plane mirrors.The music inspired visual artist Mary Husted to produce a set of collages called "Spiegel im Spiegel" which in a roundabout way, led to her being traced by her long lost son.Contributors:D

Witchita Lineman is the ultimate country/pop crossover track - written by Jimmy Webb for the Country star Glen Campbell. Released in 1968, it tells the story of a lonely lineman in the American Midwest, travelling vast distances to mend power and telephone lines. The song has been covered many times, but Glen’s version remains the best-loved and most played.Johnny Cash also recorded an extraordinary and very raw version. Peter Lewry, a lifelong Cash fan, describes how it came about.David Crary is a lineman from Oklahoma, who recalls his reaction to the first time he heard the song. Meggean Ward's father was a lineman in Rhode Island. As a child she always felt it was written for him.Glen Campbell is also interviewed. Shortly after it was recorded, he went public about his diagnosis of Alzheimer's. His contribution is brief, but it includes an acoustic performance of the song. It was a privilege to record ‘down the line’. Series exploring famous pieces of music and their emotional appeal.Producer: Karen Grego

An exploration of the impact that Mendelssohn's Octet has had on different people's lives, demonstrating the healing power of music in a variety of situations around the world.Felix Mendelssohn wrote his Octet for double string quartet in 1825 aged just 16. Despite his youth, this is a mature and brilliant piece of music described by our interviewees as "carnivalesque", "a romp", "a party".Choreographer Bill T Jones describes the way in which the Octet showed his company how to keep living during the onslaught of AIDS in the 1980's. Cellist Raphael and violinist Elizabeth Wallfisch talk about falling in love whilst learning this music in the 1970's. South Korean Lisa Kim tells a story about going on tour with the New York Philharmonic to North Korea and her intense fear and mistrust being replaced by wonder when they played the Octet with a North Korean Quartet. And Matthew Trusler describes the importance of playing this work after the death of his son.The featured recording of the Mendelssohn Octet by the E

Gustav Mahler wrote his 5th Symphony during the summers of 1901 and 1902. The Adagietto is the 4th movement which is thought to have been inspired by falling in love with Alma who he married around this time. This single movement is the composer’s most well-known piece of music. It was famously used in the 1971 Luchino Visconti film Death in Venice. It was also conducted by Leonard Bernstein at the mass at St Patrick's Cathedral, New York on the day of the burial of Robert Kennedy. Composer David Matthews explains the significance of this piece in Mahler's output. Psychoanalyst Anthony Cantle describes listening to it with his mother during her last days of dementia.Malcolm Reid tells how this piece signified a change in himself as a young man in the British police force with narrow, racist views, to hearing it in Australia and shifting to becoming a liberal.And Helen Epstein explains why it was played at her mother's funeral.Series exploring famous pieces of music and their emotional appeal.Producer: Rosie