New Books In Literature

Stella St. Vincent, a thirty-something copy editor in 1980s New York, has survived a relationship with her mother, Celia, so complicated that even the words “my daughter” give Stella pause. Celia lived life to the fullest, reinventing herself and discarding anything that no longer pleased her, including Stella’s father, whom Celia refused even to name. And when Stella rebelled by becoming the exact opposite of her mother—disciplined, buttoned-down, reliant on schedules to guarantee safety—Celia did her best to push her daughter out of that comfort zone before distancing herself from Stella as well. So the bequest in Celia’s will is no accident: Stella inherits $8,000, a ticket to Paris, and instructions to spend all the money before returning home. Stella resists until her employer forces her to take a leave of absence. Even then, Stella spends weeks in Paris scheduling every meal and sightseeing tour—until a strange shopkeeper intent on selling a beautiful dress designed by Yves St. Laurent sends Stella on a

Today’s book is: The Things We Didn’t Know (Gallery Books, 2024), by Dr. Elba Iris Pérez’s. A cross-cultural coming-of-age story, The Things We Didn’t Know is inspired by the author’s own experiences growing up between Woronoco, Massachusetts, and Puerto Rico. It explores Andrea Rodríguez’s childhood between Puerto Rico and a small Massachusetts factory town. Andrea Rodríguez is nine years old when her mother whisks her and her brother, Pablo, away from Woronoco, the tiny Massachusetts factory town that is the only home they’ve known. With no plan and no money, she leaves them with family in the mountainside villages of Puerto Rico and promises to return. Months later, when Andrea and Pablo are brought back to Massachusetts, they find their hometown significantly changed. As they navigate the rifts between their family’s values and all-American culture, and face the harsh realities of growing up, they must embrace both the triumphs and heartache that mark the journey to adulthood. An evocative portrait of ano

In Greg Sarris' book The Forgetters (Heyday Books, 2024), Answer Woman, a crow, cannot come up with a story until she is asked by Question Woman, her sister. But they both want to remember those who forgot the stories – because only by retelling the stories can they learn lessons of the past. From the time before creation to the near future, Answer Woman knows stories about clouds and sky, people who might be animals, storytelling contests of the past, and lessons learned from mistakes. Greg Sarris’s creation stories represent age old Coast Miwok and Southern Pomo Native American storytelling traditions, whose goals are to comfort and inspire while understand human frailty and striving. Greg Sarris is an accomplished author, university professor, and tribal leader serving his sixteenth term as Chairman of the Federated Indians of Graton Rancheria. He is the current board chair of the Smithsonian’s National Museum of the American Indian. In 1992, he co-authored the Graton Rancheria Restoration Act which restor

Written by iconic Egyptian novelist Ihsan Abdel Kouddous, this classic of love, desire, and family breakdown smashed through taboos when first published in Arabic and continues to captivate audiences today It is 1950s Cairo and 16-year-old Amina is engaged to a much older man. Despite all the excitement of the wedding preparations, Amina is not looking forward to her nuptials. And it is not because of the age gap or because of the fact that she does not love, or even really know, her fiancé. No, it is because she is involved with another man. This other man is Dr Hashim Abdel-Latif, and while he is Amina’s first love, she is certainly not his. Also many years her senior, Hashim is well-known in polite circles for his adventures with women. A Nose and Three Eyes tells the story of Amina’s love affair with Hashim, and that of two other young women: Nagwa and Rahhab. A Nose and Three Eyes is a story of female desire and sexual awakening, of love and infatuation, and of exploitation and despair. It quietly critiq

“We’re not monsters, Mom. We’re goddesses—smart, fearless, and beautiful.” That’s the voice of Ava, the superpowered protagonist of Katherine Marsh’s captivating novel for children, Medusa (Clarion Books, 2024). Our discussion focuses on Marsh’s feminist retelling of the Medusa myth—and on the wider topic of the direction of children’s literature at a time when it has become a challenge to pull any child (or adult) away from the siren of social media. Marsh recognizes the challenges but remains optimistic that children’s literature, which has always drawn heavily on the eternal allure of myths, has a vibrant future. Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His most recent book is Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports, 2024). Learn more about your ad choices. Visit megaphon

In the summer of 1976, an earthquake swallows up the city of Tangshan, China. Among the hundreds of thousands of people scrambling for survival is a mother who makes an agonising decision that irrevocably changes her life and the lives of her children. In that devastating split second, her seven-year-old daughter, Xiaodeng, is separated from her brother and the mother she loves and trusts. All Xiaodeng remembers of the fateful morning is betrayal. Thirty years later, Xiaodeng is an acclaimed writer living in Canada with a caring husband and daughter. However, her newfound fame and success do little to cover the deep wounds that disrupt her life, time and again, and edge her toward a breaking point. Xiaodeng realises the only path toward healing is to return to Tangshan, find her mother, and get closure. Spanning three decades of the emotional and cultural aftershocks of disaster, Zhang Ling’s intimate epic Aftershock (Amazon Crossing, 2024) explores the damage of guilt, the healing pull of family, and the hop

Rachel Greenlaw's debut young adult romantasy, Compass and Blade (Inkyard Press, 2024) is filled with sirens and mysterious magic, swoony romance and cutthroat betrayal. This world of sea and storm runs deep with bargains and blood. On the remote isle of Rosevear, Mira, like her mother before her, is a wrecker, one of the seven on the rope who swim out to shipwrecks to plunder them. Mira's job is to rescue survivors, if there are any. After all, she never feels the cold of the frigid ocean waters and the waves seem to sing to her soul. But the people of Rosevear never admit the truth: that they set the beacons themselves to lure ships into the rocks. When the Council watch lays a trap to put an end to the wrecking, they arrest Mira's father. Desperate to save him from the noose, Mira strikes a deal with an enigmatic wreck survivor guarding layers of secrets behind his captivating eyes, and sets off to find something her mother has left her, a family secret buried deep in the sea. With just nine days to find w

No More Empty Spaces (She Writes Press, 2024) opens with Will Ross, an engineering geologist, who shares custody of his three children with his ex-wife, taking his 1953 Cessna up for a spin. It’s 1973, and he’s decided to take his children to a remote area of Turkey where he’s been hired to analyze the site of a damn. He plans to tell the kids, once they’re across the world, that they won’t be going back to their alcoholic mother. The kids face the trials of learning the language, grappling with being so far away, and having a blended family. Will faces enormous problems at the building site in this lovely story centered on geology, engineering, science, landscape, and adventure. It’s about how a loving family can provide balance against the emotional and physical challenges of living on this fragile earth. D. J. Green is a writer, geologist, and sailor, as well as a bookseller and partner in Bookworks, an independent bookstore in Albuquerque, New Mexico. She lives near the Sandia Mountains in Placitas, New

In his new story collection Convergence Problems (DAW Books, 2024), Wole Talabi investigates the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves. In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world. The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare s

Ladette Randolph has served as editor-in-chief of Ploughshares literary journal since 2008, where she had acquired numerous notable essays and short stories. A publishing professional for 30 years, she is co-owner of the manuscript editing firm Randolph Lundine, and the author of five award-winning books, including A Sandhills Ballad, a New York Times Book Review Editor’s Choice book, and most recently the novel Private Way. Under Ladette Randolph’s stewardship, Ploughshares is thriving with a solid endowment and an increasing pull toward essays that speak to disturbing trends happening in America and abroad. In this episode, the focus is on five essays of which one, Extractions,” by Mihaela Moscaliuc, centers on life as a young female in Nicolae Ceausescu’s Romania. There, it’s as if one’s pregnancy belongs to the state so eager is it increase the birthrate. Telltale signs of repression are everywhere in an essay notable in part for its chilling, subdued voice. A second essay, “Commuting” by Victoria Gannon,

The most thrilling work yet from the best-selling, prize-winning author of The Newlyweds and Lost and Wanted, a stunning new novel set in French Polynesia and New York City about three characters who undergo massive transformations over the course of a single year. From Mo'orea, a tiny volcanic island off the coast of Tahiti, a French biologist obsessed with saving Polynesia's imperiled coral reefs sends her teenage daughter to live with her ex-husband in New York. By the time fifteen-year-old Pia arrives at her father Stephen's luxury apartment in Manhattan and meets his new, younger wife, Kate, she has been shuttled between her parents' disparate lives--her father's consuming work as a surgeon at an overwhelmed New York hospital, her mother's relentless drive against a ticking ecological clock--for most of her life. Fluent in French, intellectually precocious, moving between cultures with seeming ease, Pia arrives in New York poised for a rebellion, just as COVID sends her and her stepmother together into n

In Deborah Kalb’s debut adult novel Off to Join the Circus (Apprentice House Press 2023) it’s 2018, Howard Pinsky’s sister Adele, who ran away in 1954, as his parents said, “to join the circus,” is suddenly, 64 years later, in Bethesda wanting to be a part of the family. Howard, now 75 and a retired lawyer married to Marilyn, a retired teacher, spent years researching circuses and trying to find his sister. Now, during a two-week period when their eldest daughter is about to give birth at 46, their middle daughter’s younger son is about to become a Bar Mitzvah, and their youngest daughter is recovering from a terrible divorce, Adele forces everyone to consider the ties that bind them all as a family. There are secrets to be unearthed, resentments to be faced, concerns about the three sisters’ relationships, misunderstandings to be sorted, and worries that pull even 80-year-old Aunt Adele back into the Pinsky family circus. Deborah Kalb is a freelance writer and editor. She spent about two decades working as a

A dazzling, evidence-based account of one man’s quest to heal from complex PTSD by turning to endangered coral reefs and psychedelic plants after traditional therapies failed—and his awakening to the need for us to heal the planet as well. Professor Greg Wrenn likes to tell his nature-writing students, “The ecological is personal, and the personal is ecological.” What he’s never told them is how he’s lived out those correspondences to heal from childhood abuse at the hands of his mother.  Mothership: A Memoir of Wonder and Crisis (Regalo Press, 2024) is a deeply researched account of Greg turning to coral reefs and a psychedelic rainforest tea called ayahuasca to heal from complex PTSD—a disorder of trust, which makes the very act of bonding with someone else panic-inducing. From the tide pools in Florida where he grew up, to Indonesia’s Raja Ampat archipelago and the Amazon rainforest, Greg takes his readers on a journey across the globe. In his search for healing from personal and ecological trauma, he dive

When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it. Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's ele

Gerald Maa has been The Georgia Review’s director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere. The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus’s

Jennifer Lang's Places We Left Behind: A Memoir in Miniature (Vine Leaf Press, 2023) uses short chapterettes and experimental prose to examine he marriage, commitment and compromise, faith and family while moving between prose and poetry, playing with language and form, daring the reader to read between the lines. When American-born Jennifer falls in love with French-born Philippe during the First Intifada in Israel, she understands their relationship isn't perfect. Both 23, both Jewish, they lead very different lives: she's a secular tourist, he's an observant immigrant. Despite their opposing outlooks on two fundamental issues—country and religion—they are determined to make it work. For the next 20 years, they root and uproot their growing family, each longing for a singular place to call home. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Father Verses Sons: A Correspondence in Poems (Rare Bird, 2024). When the global pandemic forced his ninety-six-year-old father into isolation, filmmaker Ari Gold became concerned that loneliness would kill his father's spirits. As a prolific novelist who began writing in his twenties, Herbert Gold's incredible oeuvre included twenty-four novels, five collections of stories and essays, and eight nonfiction books. So, Ari mailed his father a poem, asking for one in return. Later, Ari's twin brother, Ethan, also got into the game. Thus was launched a lifesaving literary correspondence, and a testament to the bonds of family. The resulting poems are playful, honest, funny, and moving. Secrets are invoked alongside personal - and often painful - history. Ari and Ethan's mother, Herbert Gold's second wife, died in a helicopter crash alongside the famous rock promoter and impresario Phil Graham in 1991. Her ghost roams through the poems and the wonderful archival photos included in full color throughout. In Father

The Stark Beauty of Last Things (She Writes Press, 2023) is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When a forest fire breaks out, Clancy comes under suspicion for arson, complicating his efforts to navigate competing agendas for the best uses of the land and to find the healing and home he has always longed for. Told from multiple points of view, The Stark Beauty of Last Things explores our connection t

When Samuel Fiddes and Hailey MacIntyre meet by chance in Glasgow, Scotland, in 1878, their worlds appear to be far distant from each other. Samuel lives with his little sister, Alison, in a tenement—the two of them scrabbling to keep themselves fed and clothed. Hailey enjoys a comfortable middle-class life, although the expectations placed on her as a young woman restrict her future not simply to marriage and motherhood but to a union with the “right” man, defined in terms of wealth and prestige. Despite this social gap, Samuel and Hailey form an instant bond after he rescues her younger brother from a near-fatal run-in with a careless carriage driver. Both know that Hailey’s parents disapprove of their friendship, never mind a budding romance, but a mix of attraction and teenage rebellion draws them together. Then fate intervenes. Financial disaster strikes the MacIntyre family just as things start to look up for Samuel and Alison. Hailey’s father decides to move his family to Washington Territory, where he

In Brenda Novak's latest book, Tourist Season (Mira Books, 2024), Ismay Chalmers' plans to spend a relaxing summer at the beach are derailed when she discovers the wealthy family she is marrying into is hiding many scandals and secrets. Ismay is ready for a relaxing summer reconnecting with her fiance at his family's luxurious beachfront cottage. But before Remy can join her, a hurricane bears down on Mariners Island. Alone in the large house, Ismay makes a disturbing discovery in Remy's childhood closet. She's not sure what to make of it, but is relieved when the property's caretaker, Bo, checks in on her. Bo's home is damaged, so they temporarily shelter together, and Ismay is comforted by his quiet strength. But the unannounced arrival of a family member puts Bo back at his place and changes Ismay's summer into something other than what she wants -- or ever expected. With so many reasons to feel unsettled, Ismay finds herself turning to Bo, who gives her more than a sense of security; there's something abo