After The Hype

The next film in our Eve Stewart retrospective is the Gore Verbinski horror thriller A Cure For Wellness, starring Dane DeHaan, Mia Goth, and Jason Isaacs. The film is a clunky mess, suffering from logic problems as well as a problematic third act. What saves it for us is Stewart's exceptional production design, which gives the film an atmosphere and mood that makes us want to keep watching despite the significant script problems. We go into all of this and more in the episode, so don't wait another minute to hit that play button on your podcast player of choice.

A new month brings us a new filmmaker and for September we decided to breakdown the lively career of production designer Eve Stewart, starting with 2002's Nicholas Nickleby, starring Charlie Hunnam, Jamie Bell, and Christopher Plummer. It's a film that's exceptionally designed and looks absolutely gorgeous, but that has almost nothing else going for it. The performances are fine, but the tone of the film oscillates so much between farce and prestige period drama that it's hard to really connect to anything the actors are doing. And don't get us started about couches being dragged outside of houses for leisure. Did we mention that the film is gorgeous?

So I guess this is hello and welcome to this week's episode of Behind the Hype, where we're talking about Superstar, starring the amazing and hilarious Molly Shannon. You want to do what? Now? Well, sure. We should warn you that what follows is a very quotable film that transcends its sketches on SNL and provides some genuine laughs. It may not be as good or considered to be a classic quite like the rest of the movies we discussed this month, but it was very entertaining.We also discuss the Marry Katherine Gallagher sketches that inspired the movie, and Macgruber...which was rough.

It's Wayne's World, Wayne's World! Party On! Excellent. Wew wew wew weewwwww! In a month of SNL films, it was only a matter of time before we discussed this cultural touchstone of a film and give it the effusive praise that it deserves. And a podcast about one of the best SNL films wouldn't be nearly as awesome without a special guest. We're joined (for the first time since our rebrand as Behind the Hype) by Brok Holliday from Damage Boost. He's the choice of a new generation.We also discuss some of the SNL shorts that inspired the film, and dove into a brief discussion about how the Wayne's World sketches worked better overall and had a better transition to film than the Conehead ones and the Blues Brothers musical numbers.

Greetings Earthlings. We come to you from the planet Remulak to provide mass quantities of discourse around the film known as Coneheads, starring Dan Aykroyd, Jane Curtin, and a myriad of fun SNL cameos. It's a movie that's held up remarkably well, and has in fact gotten better as the years have progressed. There's an earnestness to the absurdity that becomes endearing and it's hard not to fall in love with this picture as you watch it. Can you believe that people didn't care for this movie when it came out? We're a bit surprised, too.For our Where Have They Been Doing segment we go back and watch a few of the original Conehead sketches to get a sense of the movie's origins, and we gotta say that the movie did a great job adapting to the big screen.

We're doing something a little bit different from our usual "filmmaker of the month" and taking a deep dive into the Saturday Night Live library of films. To start off we've got our sights set on the absolute best of the bunch, the cream of the crop: The Blues Brothers, featuring stellar performances from Dan Aykroyd and John Belushi, and a whole slew of cameos that will put a smile on your face. Prepare to laugh out loud at the excessive police car damage, and groove along to some exceptional music from some exceptional musicians.

To finish up our month of Taika Waititi we talk his most recent film Jojo Rabbit. It's certainly a weird one, but we love it all the same. The acting is superb, the sets and costumes are powerful, and the comedy works well to offset the rather dark subject matter. We have a few quibbles here and there, but overall this one is a must see and we can't recommend it highly enough.We don't really have much of a "Where Have They Been Doing" other than watching more of What We Do in the Shadows. Turns out we covered most of his other films in the previous weeks.

The trajectory continues upward in our month of Taika Waititi as we discuss Hunt for the Wilderpeople. There's a lot to love in this movie and we struggle to come up with any significant complaints. Sam Neill, Julian Dennison, Rachel House, and frickin' Rhys Darby all give stellar performances, and even the director himself pops in for a bit to play perhaps the worst (or best) priest I've ever seen committed to screen. Wilderpeople also continues the trend of showcasing a New Zealand that's more than just Hobbit holes, although the movie makes a clever LOTR reference that nearly did this shownotes writer in.

Talk about a jump in quality! This week in our Taika Waititi retrospective we discuss Boy, his feature-length follow-up to Eagle vs. Shark set in New Zealand in 1984. It's a story about overcoming grief, growing up, and being there for your family, all told from the point of view of the title character. Taika has a larger role in this film compared to the last and his energetic and comedic touch REALLY work. Could say more, but you should probably just dive into the episode. We also talk Team Thor, Team Thor Part 2, and his Flight of the Concords episode "New Zealand Town," all of which are pretty funny but maybe don't pop in the way we've come to expect from a Taika Waititi venture.

A new month means a new filmmaker, so for this month we're talking Taika. We begin with his feature length debut Eagle Vs. Shark, which at first glance looks like the next Napoleon Dynamite. Instead it's much more down to earth and features characters that are more than just dorky caricatures. Doesn't mean the film is without flaws and we note that were this movie made today it would end quite differently.We also talk Thor Ragnarok, which provides an interesting look at the filmmaker and gives us a little bit of an idea about what to expect for the rest of the month. Boy, oh boy, are we in for a treat.

We end our John Singleton month with Four Brothers, a movie that never quite finds its tone and never really hits its stride. It's a well-directed movie, and the acting is fun across the board, but the script drags the experience down by playing more to caricature than to character. We also discuss his entry in the Fast series: 2 Fast 2 Furious and why despite his obvious skill as a director, he was not right for the job. Toward the end of the podcast we wrap up our thoughts on the month and what we found interesting about his career. There's quite a journey from Boyz in the Hood to Four Brothers.

We take a bit of a turn in our John Singleton retrospective with the film Shaft, not to be confused with Shaft, or the more recent film Shaft. It's a film that features a lot of dirty cops and dirtier criminals and the sum of all these interesting parts leave us feeling uncomfortable. It's a film that features the line "It is my duty to please the booty" along side a frat boy version of Patrick Bateman beating a black man to death and getting away with it. Well, at least until the end of the movie. There's a lot here, and while some of it doesn't quite work, and awhile some of it is tough to watch in 2020, it stands out as another strong piece of filmmaking from John Singleton.

This week in our John Singleton retrospective we're discussing his sophomore film Poetic Justice, starring Janet Jackson and Tupac Shakur. There's a lot here to like. In fact, there's a lot here in general. The film doesn't feel nearly as focused as his previous but despite that feels very unique and very personal. The leads do marvelous work here, especially Tupac, and for those of us who are only familiar with him by name it's enough to make us want to look into the rest of his career.We also briefly discuss Abduction, starring Taylor Lautner. It's not good, but John Singleton does what he can and his direction makes you wish that he had been given a Bond or Bourne film instead of this well-directed clunker.

In light of the current political climate we decided it would be best to educate ourselves and expand our perspectives. To do this we chose director John Singleton as our filmmaker this month, who gave us the intense and illuminating Boyz n the Hood. Everything about the film was astounding and took us out of our comfort zone. It was wild seeing the talent at play in front of the camera and behind it. If you haven't seen this film yet, please do so before listening. Join us in widening our perspective.

We survived the month of May and now it's time to say goodbye to our man JT. Well, until we watch another one of his movies that is. Anyway, we decided the best way to end the month was by watching the romantic comedy Friends With Benefits. No...you're thinking of No Strings Attached. This is the other rom-com about two friends deciding to keep their sex casual while ultimately falling in love. It's actually kind of good, until you get to the third act. JT and costar Mila Kunis have chemistry all over the place and it's hard not being charmed by their relationship as it unfolds. A fun and worthwhile watch.We also discuss Trolls and Wonder Wheel, two JT films that couldn't be farther apart on the quality spectrum. Spoiler alert: the animated one is your best bet.

Our month of May takes a bit of a downturn with the film In Time, which just can't seem to make up its mind what movie it wants to be. There are a few solid hooks throughout, but they never really pan out and never get much deeper than surface level. It's quite the frustrating watch, but the cast is strong and our main man JT continues to impress with his charisma and utter watchability, even if he struggles a little as the leading man. Really, we just wished this movie could have picked a path and stuck to it.

Our month of May continues with another winner for good ol' Justin Timberlake: The Social Network, from writer Aaron Sorkin and director David Fincher. There's so many things to love about this film, from the standout performances of everyone involved to the masterful score from Trent Reznor and Atticus Ross. Obviously, our focus is on JT and his scene-stealing portrayal of Sean Parker, but everything else is just so dang good that we struggle to find much fault in the film.We also talk about some of JT's older SNL sketches and performances for this week's "Where Have They Been Doing" segment.

IT'S GONNA BE MAAAAYYYY! That's right. We're talking about Justin Timberlake in the month of May because we couldn't help ourselves, and like...why not? To start off, we're going to talk about the huge bummer known as Alpha Dog. But don't worry, it's not a bummer because of quality; it's just going to completely and thoroughly bum you out. Justin proves in this film that he's got some serious acting chops and we can't gush about his performance enough.We also briefly discuss his voice work in the Trolls movie, which is pretty awesome and elevates a surprisingly not bad children's animated film. Let's get our May on!

To celebrate our last week of ScarJo month we're discussing perhaps one of the worst of the MCU fare, the film that put Scarlett on our radars and Black Widow in our hearts. That's right, we're talking about Iron Man 2. It...doesn't hold up, but not for lack of trying. You've got Robert Downey Jr. in top form, Sam Rockwell killing it as usual, and Scarlett Johansson kicking ass and taking names. You've even got Mickey Rourke in there hamming it up as the villain and despite having a bit of a mangled role, he manages to make an entrance.We also discuss Ghost World and Jo Jo Rabbit in brief, as well as try to figure out why this month's selections were all over the map quality-wise. It's a great episode that wraps up a really fun month.

Our strange ScarJo retrospective takes a turn for the better as we discuss the Jonathan Glazer film Under the Skin. It's quite a bit different from the other movies of hers we've seen this month and it's a far cry from her more action-heavy roles. The thing is, it works and her performance really makes this thing pop. If anything, the experiential nature of the film loses a bit in the watch from home. We get into that as well as discuss some of the themes that stood out in the movie, so you probably want to hit that play button ASAP.