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We’re super excited to be broadcasting our first LIVE episode since The Road Rally, and we promise to help you make 2023 your most productive year yet! Most of us make New Year’s resolutions, but statistically, 90% of resolutions are just words without actions. It’s easy to resolve that you’re going to lose weight in the coming year, but hard to avoid ordering a delicious pizza when you don’t feel like cooking and doing dishes. It’s easy to say you’re going to create more and better music this coming year, but it’s hard to put down your phone and ignore TikTok. This week’s show is going to give you some solid, actionable steps to help you kick your music career into high gear in 2023! Win a Microphone! The good folks at Warm Audio sent us an awesome 512 Audio, Skylight, large diaphragm condenser microphone, and we’re going to give it away during this week’s TAXI TV! You’ll need to be in the chatroom during the live broadcast to have a shot at winning!

If you're not yet registered to come to our annual music conference, the TAXI Road Rally, you should be! It starts on Thursday, November 3rd, and it wraps up on Sunday, November 6th! Want to see all that's going on? Click on the link below: https://www.taxi.com/taxi-road-rally/ Get Your Road Rally Questions Answered! Even though we're in every-minute-counts mode here at the office, I'd like to invite you to join me for Monday's live TAXI TV show, and ask me anything you want about the Rally. - "How often does the free shuttle run from LAX to the Westin hotel?" - "Should I bring my music on CDs or USB drives?" - "I'm pretty shy! Do you SWEAR that I'll be comfortable and not feel out of place at the Rally?" - "How do I know which panels or classes will be best for me?" - "Is it really possible to meet music industry people and give them my music?" I'll answer those questions and anything else you can throw at me! I'm sure some of your fellow TAXI members, who will be in the chatroom, will also have thei

I've invited everyone's favorite songwriting coach, Robin Frederick, to join me on this week's episode of TAXI TV to review your song's lyrics and give you the keys to songwriting for Film/TV placements!

As a producer, engineer, and mixer, Ronan Chris Murphy has worked with the likes of King Crimson (several albums), Steve Morse (Dixie Dregs, Deep Purple), Terry Bozzio (Zappa, Missing Persons), Steve Stevens (Billy Idol), Tony Levin (Peter Gabriel, John Lennon, Pink Floyd), Martin Sexton, Jamie Walters, Ulver, The California Guitar Trio, Chucho Valdes y Groupo Irakere, Joan LaBarbara (Philip Glass Ensemble, Steve Reich), Nels Cline (Wilco), as well as various projects featuring members of Tool, Ministry, Weezer, Dishwalla, and Yes. And we've got Ronan in-studio to take your questions about mixing and recording during this week's episode of TAXI TV! He's one of our most beloved guests, and a fount of knowledge on Mixing, Recording techniques, and Mastering. We'll Take Questions LIVE from the Chat Room, Only! Get your questions ready to copy and paste in the chat before the show so you don't have to do any sloppy typing in the heat of battle ;-) Short, pithy, and succinct questions will be appreciated! And

it's been a while since we've done an "Ask Michael Anything" on TAXI TV, so that's exactly what we're going to do on Monday's show! Ask me anything about TAXI, engineering & production (from the mics and wires aspect), or the music licensing business, and I'll do my best to give straight ahead, helpful answers. Want to know what production music libraries are looking for? I can tell you! Want to know why Hollywood studios won't use you to score their blockbuster films? I know the answer! Want to know why your mixes don't sound like hit records? I'll let you in on a little secret ;-) Want to know where the "sweet spot" is to place a mic on an acoustic guitar? You're going to find out! Want to know how to mic an electric guitar amp for the best sound? I'll fill you in! Want to know a sure-fire way to avoid popping "P's" when recording vocals? I'm going to show you. Want to know how to make publishers reach out to you time and time again? It's common sense, but many people don't do it! Want to know how

It's been a while since we've done a Top 10 episode of TAXI TV, so join us on Monday to hear some great music our A&R department has recently found! As an extra little treat, we're going to give away a truly awesome book! Join me for this episode and you just might win a copy of Robin Frederick's best-seller, Shortcuts to Hit Songwriting - 126 Proven Techniques for Writing Songs That Sell. The winner will be chosen at random from people who are in the chat room during the episode, so don't be late! This book is a career-changer. I hope you win it!! Shortcuts to Hit Songwriting - 126 Proven Techniques for Writing Songs That Sell: https://amzn.to/3DcIZgi

On this week's episode of TAXI TV, we're going to show you a VERY real-world example of why your music doesn't get used, whether you're a TAXI member or not! TAXI's Head A&R Screener (Craig Pilo) and I will show you something SO shocking that you almost won't believe it! But it's absolutely real, and don't be surprised if you're guilty of this grievous, career-killing mistake as well. The next time you see somebody posting, "I used TAXI, and my music got forwarded, but I never heard back," remember what you saw on this NOT-to-be-missed episode of TAXI TV. ALL TAXI members need to watch this! Actually, all songwriters, artists, and composers need to watch this episode! What we're going to tell you about happens every day, and the end result can quite literally mean the difference between success and failure.

People ask me this question nearly every week of my life: "How many tracks do I need to make full-time sync income?" They ask me in the live chatroom on TAXI TV. They ask me in the hotel elevator during our free music convention, the Road Rally. They ask it on the TAXI Forums. Why are musicians so obsessed with the magic number of tracks it takes before you can earn a full-time income with your music? I think it's because they'd rather have their day gig be a job they love, VS their day gig now, that they probably hate! I was working on TAXI's website a few days ago, and I saw a quote from member Keith LuBrant that inspired this episode. "I've had 105,455 placements on 1,711 TV shows on 283 networks." Well Keith, how many tracks do you have in production music libraries to accomplish numbers like that? Inquiring minds want to know, and that's why I've asked him to join me on this week's TAXI TV! We're going to dig deep and uncover everything you need to know about how many tracks you need to make full-

This is not marketing hype or clickbait! This is an URGENT warning to all musicians. Please read on... It's not just TAXI members that are making this mistake! It's likely that 60% of ALL songwriters, artists, and composers are making this seemingly innocent mistake. It can be career-killing, yet very few musicians realize they've brought this serious problem upon themselves. So, what IS "the big mistake"? Hint: It can be devastating to your ability to license your music for film and TV placements. And that's why I'll be joined on the show by a successful Publisher who specializes in TV and Film Music! You're going to want to hear how publishers will treat your music if you've made this mistake. I'm not going to tell you what the big mistake is in this email because there are nuances to this problem that I prefer to tell you about in person. Here's how to find out... If you want to find out if you're making this career-killing mistake (60% chance that you are!), you need to watch this week's episode of

On this week's episode of TAXI TV Live, please join Henry Winckel and me as we get to the bottom of the advice I gave him when he first joined TAXI and needed some guidance to become successful with his membership. Find out if the music career advice I gave him was career-launching or career-killing!

We value the opinions our members have about many aspects of TAXI. Most of all, we love getting input from TAXI’s members regarding our music convention, the TAXI Road Rally (November 3rd – 6th in Los Angeles, CA). I would really appreciate it if you could join me for the LIVE episode of this week’s TAXI TV, so I can get your opinions on a wide range of topics regarding the upcoming Road Rally. Off the top-of-my head, I want to know things like: - Are you coming? - If you’re not coming, how much did COVID affect your decision? - Would you like to hear what we’re doing to minimize the COVID risk this year? - Are you interested in topics related to film/TV music? - Are you interested in our pitch/feedback panels? - Are you interested in hearing how successful TAXI members have done it? - Are you interested in topics related to songwriting and record label deals? - Are you interested in topics related to signing with a record label? - Are you interested in learning how Music Supervisors choose and use music? -

Our A&R team and staff have done it again! They've put together a playlist of some of their favorite songs and instrumentals they've heard over the last month, and you get to hear them on Monday's TAXI TV. Join us for this episode and you just might win a copy of Steve Barden's awesome book, Writing Production Music for TV: The Road to Success, or Robin Frederick's best-seller, Shortcuts to Hit Songwriting - 126 Proven Techniques for Writing Songs That Sell. The winners will be chosen at random from people who are in the chat room during the episode, so don't be late! Both of these books are career-changers. I hope you win one!!

Not sure if your song's lyrics are universal? Why not consult an expert? I've invited everyone's favorite songwriting coach, Robin Frederick, to join me on this week's episode of TAXI TV to review your song's lyrics and give you the answer! Shortcuts to Hit Songwriting by Robin Frederick https://amzn.to/3iwNrfw Shortcuts to Songwriting for Film & TV by Robin Frederick https://amzn.to/3xbU6jq *As an Amazon Associate, we earn from qualifying purchases from the above links.*

If you’ve ever been frustrated by waiting (and waiting) to hear from a music company that your music was forwarded to by TAXI, you really don’t want to miss this week’s TAXI TV! If you’ve ever signed a deal with a production music library, and then heard nothing but crickets, you definitely don’t want to miss this week’s episode of TAXI TV! If you’ve ever been pissed off when you see a TAXI listing that says, “Please don’t submit your music unless you’re an experienced composer who ‘knows the drill,’” you really, really don’t want to miss this episode! Please join me for a frank discussion about these hot-button issues facing TAXI’s members and musicians as a whole. I think you’ll find the answers enlightening, and we should have plenty of time at the end of the show for a Q&A about these important topics. Prize Giveaways During This Episode! We’ve got some extra copies of these awesome books, and I’d love to give them away during this episode. For more info on each of these reads, click on the links b

Some companies only let you see the good news. TAXI has always been more transparent than that, so we're going to feature a past member's story about why he didn't renew his membership. Ouch!!! Honestly, I take it very personally when somebody doesn't renew their membership. How did we fail them? What could we have done better? Why did this person quit TAXI???? - Was it frustration due to no forwards? - Was it because he was forwarded, but he never heard back from the company we sent the music to? - Was it because he didn't earn back what his membership cost? - Did he think that TAXI's A&R team just didn't get how great his music is? - Did he think the feedback he got was off-base? - Do you have some of the same issues? Join me as I dig deep to find out WHY this member decided to leave TAXI, and a bunch of other great tips on making a career out of doing TV music. I think this just might be one of our most powerful episodes of TAXI TV we've ever done. Set an alarm so you don't miss the live show. The truth

Erin Jacobson is hands-down the most popular Music Attorney who has ever graced the stage at our convention – the TAXI Road Rally! Why? Because it’s obvious to the songwriters, artists, and composers in our audience, that she actually gives a damn about them! We’ll be covering some of today’s most frequently asked music business questions, and then open the floor to questions from the viewing audience during the live show. Questions Submitted Before the Show Will Be Answered First! Here’s how to get them to us, so we can ask Erin your questions during the live broadcast: Email your questions to taxitv@taxi.com no later than Friday, June 17th at NOON, Pacific Time! MORE ABOUT ERIN JACOBSON =============================== Erin M. Jacobson, Esq. is an internationally recognized attorney who protects independent, established, and legacy songwriters and artists, independent music publishers, distinguished legacy catalogues, heirs and estates, Grammy and Emmy Award winners, and other music professionals at her

Andrea Stolpe is a Los Angeles-based songwriter, author, performing artist, and educator. She has worked as a staff writer for EMI, Almo-Irving, and Universal Music Publishing, with songs recorded by artists such as: Faith Hill, Julianne Hough, Daniel Lee Martin, Jimmy Wayne, and others. Andrea teaches Songwriting at the University of California’s Thornton School of Music, and is the author and instructor of Berklee College of Music’s online course Commercial Songwriting Techniques. For the past 10 years Andrea has taught melody, harmony, and lyric writing courses for Berklee Online.

TAXI's Head Screener, Craig Pilo, gives expert feedback and suggestions for fixes on your Instrumentals and Cues. He's a world-class expert, and super supportive of indie musicians, especially TAXI's members! Craig was one of the very best and most experienced Film/TV music experts on our A&R team prior to becoming our Head Screener. His feedback is honest, straightforward, and always helpful!

Tracey and Vance Marino have had their Instrumentals and Songs placed THOUSANDS of times in TV, Film, Commercials, and Video Games. How did this husband and wife team from San Diego do it? What did they do that you might not have done yet? How did they do it, how long did it take, and what mistakes did they make along the way? I asked them those questions and many, many more on this episode of TAXI TV. I also asked them how the heck they found the time to write their new book, Hey! That’s My Song!: A Guide to Getting Music Placements in Film, TV, and Media. I just got my copy, and to say that it's extremely comprehensive would be an understatement. Seriously, they have over 3,000 pieces of music in about 60 catalogs, so how did they find the time to write a book that seemingly covers every topic you want to know more about? Want to get your copy of the book in this episode? Click the link below! Hey! That’s My Song!: A Guide to Getting Music Placements in Film, TV, and Media - by Tracey Marino: https:/

Our A&R team and staff have done it again! They've put together a playlist of some of their favorite songs and instrumentals they've heard over the last month, and you get to hear them on Monday's TAXI TV. I'll be back in Los Angeles, so this episode will go live at our normal time of 4 pm, Pacific time. Join me for this episode and you just might win a copy of Steve Barden's awesome book, Writing Production Music for TV: The Road to Success, or Robin Frederick's best-seller, Shortcuts to Hit Songwriting - 126 Proven Techniques for Writing Songs That Sell. The winners will be chosen at random from people who are in the chat room during the episode, so don't be late! Both of these books are career-changers. I hope you win one!! 0:00 - Intro 5:12 - "Nobody Cares" by Megan Winsor - https://bit.ly/3Pr0220 10:42 - "'S' Spy Thing" by Chris Moser - https://bit.ly/37SksQv 22:13 - "Heartbreaker" by Joliet4 - https://bit.ly/3PtQgMg 27:22 - "Bones" by Big Sur Bound - https://bit.ly/3wxTG8d 34:32 - "Black Widow" by Ai